My current body of work springs from my fasciation with industry and the magic of the production process. The objects I create are made by hand and sculpted in clay. I strive to remove identifiable information about the process in which its made and, often, what material it was made from; this challenge continues to intrigue me and creates a sense of mystery about the object’s true origin. I have a growing interest in industrial aesthetics and the mass-production processes of food and everyday objects.

 

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